SIGNS
AND WONDERS ON EARTH
THE
ORIGINAL THUNDERBIRDS
CREATURE
No. 1
The Thunderbird was highly revered among
natives of this Beloved Land driven to near extinction around the globe and yet
they remain as a testimony to their Guiding Light within that they thanked
every time game got close enough to make sacrifice that the supreme creatures
of flesh and Spirit are sustained by that ONE TRUE PROVIDER UPON WHOM WE ALL
RELY FOR DAILY BREAD. The Gentiles walked through the land like they were
intent to make no more of this lesser than worthy of equality type of BRED-RACE
for the praise, worship, and glory of HIS CREATION.
In REV 4:7 - The fourth beast
is like unto a flying eagle, and the first beast was like a lion roaring LIKE
UNTO BAYLONIAN CAPTIVITY WITH THE TORSO AND HEAD OF A LION AS ANCIENT
BABYLONIAN SYMBOL, and the second beast like a calf LIKE THE TORSO AND HEAD OF
AN EGYPTIAN with their ancient symbol of the Golden Calf with the round disc
(cistern) nested in between two horns or the spanning of the Heaven between the
two Holy Hills, and the third beast had a face as a man or looking at the
Earth's face a Woman's Instrument of Eternal Facial Expression that DIVINELY
FOUNDS, GROUNDS, AND MAKES CONCRETE FOUNDATIONS OF EARTH.
The Gentiles have wrote the book of Black
Definitions in darkness roaring that "YAHWEH IS DEAD" BECAUSE WE HAVE
CLOSED THAT CASE AND MOVED ONTO MORE IMPORTANT MATTERS OR ISSUES THAT CAN BE
REMEDIED by anything short of an ACT OF YAHWEH!
SIGNS
AND WONDERS ON EARTH
THE
ORIGINAL THUNDERBIRDS
CREATURE
No. 2
Illinois
Piasa Bird
Native
American Legend - from Wikipedia
The Piasa or Piasa Bird is a
legendary creature that was depicted in a mural painted by Native Americans on
a cliff above the Mississippi River witnessed by Jacques Marquette on the
French Expedition of 1673. Its original location was in Jersey County near
present day Elsah, Illinois. The "Piasa"
may also be a representation of the "Uktena,"
or underwater panther, which appears in the mythology of many eastern native
traditions. [ citation needed ] The name "Piasa",
pronounced in English /pajs/ or
"pie-uh-saw", is from the Miami-Illinois word páyiihsa
(cf. Anishinaabe : apa'iins(ag), "little
people(s)"), the name for a type of small supernatural dwarves said to attack travelers. The
connection between this Miami-Illinois word and the "Piasa"
illustration is confirmed by such early French transcriptions as "paillissa", found on Nicolas de Finiel 's map of 1798. (See
Costa 2005: 297). Etymologies which claim the word "Piasa"
means "the bird that devours men" or "bird of the evil
spirit" are impossible, and are not rooted in the Illinois language, however, ancient pictographs had a picture-word
for POWER as the Feather, and Fig. # 9 as the picture-word
for SPIRITS ABOVE with the THREE STATIONS OF THE HOLY TRINITY ATOP A HOLY
MOUNT. Fig. #10 is another pictograph
which meant
WHIRLWIND.
Fig. #
10
Another native pictograph was Fig #11 means
METEOR, and Fig # 12 meaning Death like looking downward into the cistern and
the ring also being eternal, endless and a Sign of Eternal Matrimony as the
Bride of Christ with all being JOINT-HEIRS of Endless Equality. I have seen the
Promised Land buit none have "Ears to Hear." Fig #13 is the ancient pictographs for ISLANDS
OF THE MOTHERLAND and Will Hill has double summits with the sides of the North around
the Holy Instruments of Worship.
Fig. #
11
Fig. #
12
Fig. #
13
In 1673, Father Marquette discovered the
painting on a limestone bluff overlooking the Mississippi River while exploring
the area. He recorded the following description of his discovery:
"While Skirting
some rocks, which by Their height and length inspired awe, We saw upon one of
them two painted monsters which at first made us afraid, and upon which the
boldest savages dare not lLong rest their eyes. They
are as large as a calf (REV 4:7); they have horns on their heads like
those of a deer, a horrible look, red eyes, a beard like a tiger's, a face
somewhat like a man's (REV 4:7), a body covered with scales, and so long
a tail that it winds all around the body, passing above the head and going back
between the legs, ending in a fish's tail. Green, red, and black are the three
Colors composing the Picture. Moreover, these 2 monsters (Creatures #1
& #2) are so well painted that we cannot believe that any SAVAGE is
their Author; for good painters in France would find it difficult to reach
that place Conveniently to paint them.
John
Russell Account
The monster depicted in the mural was first
referred to as the "Piasa Bird" in an
article published in 1836 by John Russell of Bluffdale,
Illinois. The article was entitled "The Bird That Devours Men."
According to the story published by Russell, the creature depicted by
the painting was a huge flying monster that lived in the cliffs. Russell
claimed that this creature attacked and devoured people in nearby Indian
villages. The legend, as related by Russell, claims that a local Indian chief,
named Chief Ouatoga, managed to finally slay the
monster using a plan that was given to him in a dream from the Great Spirit.
The Chief ordered his bravest warriors to hide near the entrance of the Piasa Bird's cave. Outoga then
used himself as bait to lure the creature out into the open. As the monster
flew down towards the Indian Chief, his warriors slew it with a volley of
poisoned arrows. Russell claimed that the mural was painted by the Indians as a
commemoration of this heroic event.